What is extraordinary is, neither his mistress nor Madame la Duchesse de
Berry, nor his 'roues', could ever draw anything from him, even when
drunk, concerning the affairs of the government, however important. He
publicly lived with Madame de Parabere; he lived at the same time with
others; he amused himself with the jealousy and vexation of these women;
he was not the less on good terms with them all; and the scandal of this
public seraglio, and that of the daily filthiness and impiety at his
suppers, were extreme and spread everywhere.

Towards the end of the year (1715) the Chevalier de Bouillon, who since
the death of the son of the Comte d'Auvergne had taken the name of the
Prince d'Auvergne, proposed to the Regent that there should be a public
ball, masked and unmasked, in the opera three times a week, people to pay
upon entering, and the boxes to be thrown open to those who did not care
to dance. It was believed that a public ball, guarded as is the opera on
days of performance, would prevent those adventures which happened so
often at the little obscure balls scattered throughout Paris; and indeed
close them altogether. The opera balls were established on a grand
scale, and with all possible effect. The proposer of the idea had for it
six thousand livres pension; and a machine admirably invented and of easy
and instantaneous application, was made to cover the orchestra, and put
the stage and the pit on the same level. The misfortune was, that the
opera was at the Palais Royal, and that M. le Duc d'Orleans had only one
step to take to reach it after his suppers and show himself there, often
in a state but little becoming. The Duc de Noailles, who strove to pay
court to him, went there from the commencement so drunk that there was no
indecency he did not commit.