Madame de Genlis will be explained. To dwell on it now would only turn
me aside from my narrative. To pursue my story, therefore:

When we arrived at my lodgings (which were then, for private reasons, at
the Irish Convent, where Sacchini and other masters attended to further
me in the accomplishments of the fine arts), "Sing me something," said
the Princess, "'Cantate mi qualche cosa', for I never see that woman"
(meaning Madame de Genlis) "but I feel ill and out of humour. I wish it
may not be the foreboding of some great evil!"

I sang a little rondo, in which Her Highness and the Queen always
delighted, and which they would never set me free without making me sing,
though I had given them twenty before it.

[The rondo I allude to was written by Sarti for the celebrated Marches!
Lungi da to ben mio, and is the same in which he was so successful in
England, when he introduced it in London in the opera of Giulo Sabino.]

Her Highness honoured me with even more than usual praise. I kissed the
hand which had so generously applauded my infant talents, and said, "Now,
my dearest Princess, as you are so kind and good-humoured, tell me
something about the Queen!"

She looked at me with her eyes full of tears. For an instant they stood
in their sockets as if petrified: and then, after a pause, "I cannot,"
answered she in Italian, as she usually did, "I cannot refuse you
anything. 'Non posso neyarti niente'. It would take me an age to tell
you the many causes which have conspired against this much-injured Queen!
I fear none who are near her person will escape the threatening storm
that hovers over our heads. The leading causes of the clamour against