the opera of "Egle." She made a distant appointment with him, needing, as
she said, rest after the fatigues of the journey and the numerous fetes
which had taken place at Versailles; but her motive was her desire to
conceal how ignorant she was of the rudiments of music. She asked M.
Campan whether his son, who was a good musician, could give her lessons
secretly for three months. "The Dauphiness," added she, smiling, "must be
careful of the reputation of the Archduchess." The lessons were given
privately, and at the end of three months of constant application she sent
for M. la Garde, and surprised him by her skill.

The desire to perfect Marie Antoinette in the study of the French language
was probably the motive which determined Maria Theresa to provide for her
as teachers two French actors: Aufresne, for pronunciation and
declamation, and Sainville, for taste in French singing; the latter had
been an officer in France, and bore a bad character. The choice gave just
umbrage to our Court. The Marquis de Durfort, at that time ambassador at
Vienna, was ordered to make a representation to the Empress upon her
selection. The two actors were dismissed, and the Princess required that
an ecclesiastic should be sent to her. Several eminent ecclesiastics
declined taking upon themselves so delicate an office; others who were
pointed out by Maria Theresa (among the rest the Abbe Grisel) belonged to
parties which sufficed to exclude them.

The Archbishop of Toulouse one day went to the Duc de Choiseul at the
moment when he was much embarrassed upon the subject of this nomination;
he proposed to him the Abby de Vermond, librarian of the College des
Quatre Nations. The eulogistic manner in which he spoke of his protege
procured the appointment for the latter on that very day; and the
gratitude of the Abbe de Vermond towards the prelate was very fatal to
France, inasmuch as after seventeen years of persevering attempts to bring