features. One artist's fancy led him to place the portrait of Marie
Antoinette in the heart of a full-blown rose. His ingenious idea was
rewarded by Louis XV.

The King continued to talk only of the Dauphiness; and Madame du Barry
ill-naturedly endeavoured to damp his enthusiasm. Whenever Marie
Antoinette was the topic, she pointed out the irregularity of her
features, criticised the 'bons mots' quoted as hers, and rallied the King
upon his prepossession in her favour. Madame du Barry was affronted at
not receiving from the Dauphiness those attentions to which she thought
herself entitled; she did not conceal her vexation from the King; she was
afraid that the grace and cheerfulness of the young Princess would make
the domestic circle of the royal family more agreeable to the old
sovereign, and that he would escape her chains; at the same time, hatred
to the Choiseul party contributed powerfully to excite the enmity of the
favourite.

The fall of that minister took place in November, 1770, six months after
his long influence in the Council had brought about the alliance with the
House of Austria and the arrival of Marie Antoinette at the Court of
France. The Princess, young, frank, volatile, and inexperienced, found
herself without any other guide than the Abbe de Vermond, in a Court ruled
by the enemy of the minister who had brought her there, and in the midst
of people who hated Austria, and detested any alliance with the imperial
house.

The Duc d'Aiguillon, the Duc de La Vauguyon, the Marechal de Richelieu,
the Rohans, and other considerable families, who had made use of Madame du
Barry to overthrow the Duke, could not flatter themselves, notwithstanding
their powerful intrigues, with a hope of being able to break off an