Dorat Cubieres from striking on our ears. I can assert that the
exclamation Charming! charming! repeatedly interrupted the reader. The
piece was admitted for performance at Fontainebleau; and for the first
time the King had the curtain dropped before the end of the play. It was
called the "Dramomane" or "Dramaturge." All the characters died of eating
poison in a pie. The Queen, highly disconcerted at having recommended
this absurd production, announced that she would never hear another
reading; and this time she kept her word.

The tragedy of "Mustapha and Mangir," by M. de Chamfort, was highly
successful at the Court theatre at Fontainebleau. The Queen procured the
author a pension of 1,200 francs, but his play failed on being performed
at Paris.

The spirit of opposition which prevailed in that city delighted in
reversing the verdicts of the Court. The Queen determined never again to
give any marked countenance to new dramatic works. She reserved her
patronage for musical composers, and in a few years their art arrived at a
perfection it had never before attained in France.

It was solely to gratify the Queen that the manager of the Opera brought
the first company of comic actors to Paris. Gluck, Piccini, and Sacchini
were attracted there in succession. These eminent composers were treated
with great distinction at Court. Immediately on his arrival in France,
Gluck was admitted to the Queen's toilet, and she talked to him all the
time he remained with her. She asked him one day whether he had nearly
brought his grand opera of "Armide" to a conclusion, and whether it
pleased him. Gluck replied very coolly, in his German accent, "Madame, it
will soon be finished, and really it will be superb." There was a great
outcry against the confidence with which the composer had spoken of one of