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Marie Antoinette — Volume 04 by Jeanne Louise Henriette (Genet) Campan
page 26 of 65 (40%)
during the days which immediately preceded the downfall of the throne.
Beaumarchais was so far put off his guard by rage as to exclaim, "Well,
gentlemen, he won't suffer it to be played here; but I swear it shall be
played,--perhaps in the very choir of Notre-Dame!" There was something
prophetic in these words. It was generally insinuated shortly afterwards
that Beaumarchais had determined to suppress all those parts of his work
which could be obnoxious to the Government; and on pretence of judging of
the sacrifices made by the author, M. de Vaudreuil obtained permission to
have this far-famed "Mariage de Figaro" performed at his country house.
M. Campan was asked there; he had frequently heard the work read, and did
not now find the alterations that had been announced; this he observed to
several persons belonging to the Court, who maintained that the author had
made all the sacrifices required. M. Campan was so astonished at these
persistent assertions of an obvious falsehood that he replied by a
quotation from Beaumarchais himself, and assuming the tone of Basilio in
the "Barbier de Seville," he said, "Faith, gentlemen, I don't know who is
deceived here; everybody is in the secret." They then came to the point,
and begged him to tell the Queen positively that all which had been
pronounced reprehensible in M. de Beaumarchais's play had been cut out.
My father-in-law contented himself with replying that his situation at
Court would not allow of his giving an opinion unless the Queen should
first speak of the piece to him. The Queen said nothing to him about the
matter. Shortly, afterwards permission to perform this play was at length
obtained. The Queen thought the people of Paris would be finely tricked
when they saw merely an ill-conceived piece, devoid of interest, as it
must appear when deprived of its Satire.

["The King," says Grimm, "made sure that the public would judge
unfavourably of the work." He said to the Marquis de Montesquiou, who was
going to see the first representation, 'Well, what do you augur of its
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