skies, and though the Court durst not suspend its performance.

The Queen testified her displeasure against all who had assisted the
author of the "Mariage de Figaro" to deceive the King into giving his
consent that it should be represented. Her reproaches were more
particularly directed against M. de Vaudreuil for having had it performed
at his house. The violent and domineering disposition of her favourite's
friend at last became disagreeable to her.

One evening, on the Queen's return from the Duchess's, she desired her
'valet de chambre' to bring her billiard cue into her closet, and ordered
me to open the box that contained it. I took out the cue, broken in two.
It was of ivory, and formed of one single elephant's tooth; the butt was
of gold and very tastefully wrought. "There," said she, "that is the way
M. de Vaudreuil has treated a thing I valued highly. I had laid it upon
the couch while I was talking to the Duchess in the salon; he had the
assurance to make use of it, and in a fit of passion about a blocked ball,
he struck the cue so violently against the table that he broke it in two.
The noise brought me back into the billiard-room; I did not say a word to
him, but my looks showed him how angry I was. He is the more provoked at
the accident, as he aspires to the post of Governor to the Dauphin. I
never thought of him for the place. It is quite enough to have consulted
my heart only in the choice of a governess; and I will not suffer that of
a Governor to the Dauphin to be at all affected by the influence of my
friends. I should be responsible for it to the nation. The poor man does
not know that my determination is taken; for I have never expressed it to
the Duchess. Therefore, judge of the sort of an evening he must have
passed!"