Memoirs of the Court of St. Cloud (Being secret letters from a gentleman at Paris to a nobleman in London) — Volume 2 by Stewarton
page 42 of 59 (71%)
page 42 of 59 (71%)
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part a cruel masquerade, where none but the unfortunate Louis XVI.
appeared in his native and natural character and without a mask. The countenance of Pius VII. is placid and benign, and a kind of calmness and tranquillity pervades his address and manners, which are, however, far from being easy or elegant. The crowds that he must have been accustomed to see since his present elevation have not lessened a timidity the consequence of early seclusion. Nothing troubled him more than the numerous deputations of our Senate, Legislative Body, Tribunate, National Institute, Tribunals, etc., that teased him on every occasion. He never was suspected of any vices, but all his virtues are negative; and his best quality is, not to do good, but to prevent evil. His piety is sincere and unaffected, and it is not difficult to perceive that he has been more accustomed to address his God than to converse with men. He is nowhere so well in his place as before the altar; when imploring the blessings of Providence on his audience he speaks with confidence, as to a friend to whom his purity is known, and who is accustomed to listen favourably to his prayers. He is zealous but not fanatical, but equally superstitious as devout. His closet was crowded with relics, rosaries, etc., but there he passed generally eight hours of the twenty-four upon his knees in prayer and meditation. He often inflicted on himself mortifications, observed fast-days, and kept his vows with religious strictness. None of the promises made him by Cardinal Fesch, in the name of Napoleon the First, were performed, but all were put off until a general pacification. He was promised indemnity for Avignon, Bologna, Ferrara, and Ravenna; the ancient supremacy and pecuniary contributions of the Gallican Church, and the restoration of certain religious orders, both in France and Italy; but notwithstanding his own representations, and the |
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