playing the whole time. After landing, the shepherdesses I have
mentioned before received the company in separate troops, with songs and
dances, after the fashion and accompanied by the music of the provinces
they represented,--the Poitevins playing on bagpipes; the Provencales on
the viol and cymbal; the Burgundians and Champagners on the hautboy, bass
viol, and tambourine; in like manner the Bretons and other
provincialists. After the collation was served and the feast at an end,
a large troop of musicians, habited like satyrs, was seen to come out of
the opening of a rock, well lighted up, whilst nymphs were descending
from the top in rich habits, who, as they came down, formed into a grand
dance, when, lo! fortune no longer favouring this brilliant festival, a
sudden storm of rain came on, and all were glad to get off in the boats
and make for town as fast as they could. The confusion in consequence of
this precipitate retreat afforded as much matter to laugh at the next day
as the splendour of the entertainment had excited admiration. In short,
the festivity of this day was not, forgotten, on one account or the
other, amidst the variety of the like nature which succeeded it in the
course of this progress.




LETTER II.

Message from the Duc d'Anjou, Afterwards Henri III., to King Charles His
Brother and the Queen-mother.--Her Fondness for Her Children.--Their
Interview.--Anjou's Eloquent Harangue.--The Queen-mother's Character.
Discourse of the Duc d'Anjou with Marguerite.--She Discovers Her Own
Importance.--Engages to Serve Her Brother Anjou.--Is in High Favour with
the Queenmother.