and with my comedy of Narcissus and my musical project in my pocket.
These composed my whole stock; consequently I had not much time to lose
before I attempted to turn the latter to some advantage. I therefore
immediately thought of making use of my recommendations.

A young man who arrives at Paris, with a tolerable figure, and announces
himself by his talents, is sure to be well received. This was my good
fortune, which procured me some pleasure without leading to anything
solid. Of all the persons to whom I was recommended, three only were
useful to me. M. Damesin, a gentleman of Savoy, at that time equerry,
and I believe favorite, of the Princess of Carignan; M. de Boze,
Secretary of the Academy of Inscriptions, and keeper of the medals of the
king's cabinet; and Father Castel, a Jesuit, author of the 'Clavecin
oculaire'.--[ocular harpsichord.]

All these recommendations, except that to M. Damesin, were given me by
the Abbe de Malby.

M. Damesin provided me with that which was most needful, by means of two
persons with whom he brought me acquainted. One was M. Gase, 'president
a mortier' of the parliament of Bordeaux, and who played very well upon
the violin; the other, the Abbe de Leon, who then lodged in the Sorbonne,
a young nobleman; extremely amiable, who died in the flower of his age,
after having, for a few moments, made a figure in the world under the
name of the Chevalier de Rohan. Both these gentlemen had an inclination
to learn composition. In this I gave them lessons for a few months, by
which means my decreasing purse received some little aid. The Abbe Leon
conceived a friendship for me, and wished me to become his secretary; but
he was far from being rich, and all the salary he could offer me was
eight hundred livres, which, with infinite regret, I refused; since it