chair, or stand upright like a picket, without stirring hand or foot, not
daring to run, jump, sing, exclaim, nor gesticulate when I please, not
allowed even to dream, suffering at the same time the fatigue of inaction
and all the torment of constraint; obliged to pay attention to every
foolish thing uttered, and to all the idle compliments paid, and
constantly to keep my mind upon the rack that I may not fail to introduce
in my turn my jest or my lie. And this is called idleness! It is the
labor of a galley slave.

The indolence I love is not that of a lazy fellow who sits with his arms
across in total inaction, and thinks no more than he acts, but that of a
child which is incessantly in motion doing nothing, and that of a dotard
who wanders from his subject. I love to amuse myself with trifles, by
beginning a hundred things and never finishing one of them, by going or
coming as I take either into my head, by changing my project at every
instant, by following a fly through all its windings, in wishing to
overturn a rock to see what is under it, by undertaking with ardor the
work of ten years, and abandoning it without regret at the end of ten
minutes; finally, in musing from morning until night without order or
coherence, and in following in everything the caprice of a moment.

Botany, such as I have always considered it, and of which after my own
manner I began to become passionately fond, was precisely an idle study,
proper to fill up the void of my leisure, without leaving room for the
delirium of imagination or the weariness of total inaction. Carelessly
wandering in the woods and the country, mechanically gathering here a
flower and there a branch; eating my morsel almost by chance, observing a
thousand and a thousand times the same things, and always with the same
interest, because I always forgot them, were to me the means of passing
an eternity without a weary moment. However elegant, admirable, and