Marmet was warming herself by the hearth, with a white cat on her knees.
The evening was cool. Madame Martin, her eyes reminiscent of the golden
light, the violet peaks, and the ancient trees of Florence, smiled with
happy fatigue. She had gone with Miss Bell, Dechartre, and Madame Marmet
to the Chartrist convent of Ema. And now, in the intoxication of her
visions, she forgot the care of the day before, the importunate letters,
the distant reproaches, and thought of nothing in the world but cloisters
chiselled and painted, villages with red roofs, and roads where she saw
the first blush of spring. Dechartre had modelled for Miss Bell a waxen
figure of Beatrice. Vivian was painting angels. Softly bent over her,
Prince Albertinelli caressed his beard and threw around him glances that
appeared to seek admiration.

Replying to a reflection of Vivian Bell on marriage and love:

"A woman must choose," he said. "With a man whom women love her heart is
not quiet. With a man whom the women do not love she is not happy."

"Darling," asked Miss Bell, "what would you wish for a friend dear to
you?"

"I should wish, Vivian, that my friend were happy. I should wish also
that she were quiet. She should be quiet in hatred of treason,
humiliating suspicions, and mistrust."

"But, darling, since the Prince has said that a woman can not have at the
same time happiness and security, tell me what your friend should
choose."

"One never chooses, Vivian; one never chooses. Do not make me say what I