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Monsieur, Madame, and Bebe — Volume 02 by Gustave Droz
page 39 of 72 (54%)
a large ring he wore had something to do with this fancy for playing with
his bread. Once or twice I caught a glance of melancholy turned toward
the mistress of the house, but at first I did not take much notice of it,
my attention being attracted by the brilliant gayety of Oscar.

It seemed to me, however, at the end of a minute or so, that this young
man was striving in a thousand ways to engage the attention of the little
queen.

The latter, however, answered him in the most natural way in the world,
neither betraying constraint nor embarrassment. I was mistaken,
no doubt. Have you ever noticed, when you are suddenly brought into the
midst of a circle where you are unacquainted, how certain little details,
matters of indifference to every one else, assume importance in your
eyes? The first impression is based upon a number of trifles that catch
your attention at the outset. A stain in the ceiling, a nail in the
wall, a feature of your neighbor's countenance impresses itself upon your
mind, installs itself there, assumes importance, and, in spite of
yourself, all the other observations subsequently made by you group
around this spot, this nail, this grimace. Think over it, dear reader,
and you will see that every opinion you may have as to a fact, a person,
or an object has been sensibly influenced by the recollection of the
little trifle that caught your eye at the first glance. What young girl
victim of first impressions has not refused one or two husbands on
account of a waistcoat too loose, a cravat badly tied, an inopportune
sneeze, a foolish smile, or a boot too pointed at the toe?

One does not like admitting to one's self that such trifles can serve as
a base to the opinion one has of any one, and one must seek attentively
in order to discover within one's mind these unacknowledged germs.
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