Did she not know, then, what she was doing when, wishing to place a
living guard between herself and danger, she had descended to the kennel
and unloosed the ferocious animals, which, recognizing her voice, had
bounded about her and licked her hands with many manifestations of joy?
She had ascended again to her chamber and extinguished the light, around
which fluttered the moths, beating the opal shade with their downy wings;
and, in the darkness, drinking in the nightair at the open window, she
had waited, saying to herself that Michel Menko would not come; but, if
he did come, it was the will of fate that he should fall a victim to the
devoted dogs which guarded her.

Why should she pity him?

She hated him, this Michel. He had threatened her, and she had defended
herself, that was all. Ortog's teeth were made for thieves and
intruders. No pity! No, no--no pity for such a coward, since he had
dared--

But yet, as the ferocious bayings of the dogs below became redoubled in
their fury, she imagined, in terror, a crunching of bones and a tearing
of flesh; and, as her imagination conjured up before her Michel fighting,
in hideous agony, against the bites of the dogs, she shuddered; she was
afraid, and again a stifled cry burst forth from her lips. A sort of
insanity took possession of her. She tried to cry out for mercy as if
the animals could hear her; she sought the door of her chamber, groping
along the wall with her hands outspread before her, in order to descend
the staircase and rush out into the garden; but her limbs gave way
beneath her, and she sank an inert mass upon the carpet in an agony of
fear and horror.