before, and troubled himself no further about the outside world. Why
should he care, that some penny-aliner had slipped those odious lines
into a newspaper? His sorrow was not the publishing of the treachery,
it was the treachery itself; and his hourly suffering caused him to long
for death to end his torture.

"And yet I must live," he thought, "if to exist with a dagger through
one's heart is to live."

Then, to escape from the present, he plunged into the memories of the
war, as into a bath of oblivion, a strange oblivion, where he found all
his patriotic regrets of other days. He read, with spasmodic eagerness,
the books in which Georgei and Klapka, the actors of the drama, presented
their excuses, or poured forth their complaints; and it seemed to him
that his country would make him forget his love.

In the magnificent picture-gallery, where he spent most of his time, his
eyes rested upon the battle-scenes of Matejks, the Polish artist, and the
landscapes of Munkacsy, that painter of his own country, who took his
name from the town of Munkacs, where tradition says that the Magyars
settled when they came from the Orient, ages ago. Then a bitter longing
took possession of him to breathe a different air, to fly from Paris, and
place a wide distance between himself and Marsa; to take a trip around
the world, where new scenes might soften his grief, or, better still,
some accident put an end to his life; and, besides, chance might bring
him in contact with Menko.

But, just as he was ready to depart, a sort of lassitude overpowered him;
he felt the inert sensation of a wounded man who has not the strength to
move, and he remained where he was, sadly and bitterly wondering at times