author and novelist. At the Opera Comique there was represented in 1861
Royal-Cravate, written by him. Fragments of two operas by him were
performed at the Paris Conservatory of Music in 1865, and in 1868. The
list of his principal plays follows: 'Le Service en campagne, comedy
(1882); La Cicatrice, comedy (1885); Au Mont Ida, Fronsac a La Bastille,
and La Coeur de Paris, all in 1887; La Czarine and Brouille depuis
Magenta (1888), and La Bonne Aventure--all comedies--1889. Together with
Petipa he also wrote a ballet Le Roi d'Yvetot (1866); music by Charles
Labarre. He further wrote Zibeline, a most brilliant romance (1892) with
an Introduction by Jules Claretie; crowned by the Academie Francaise.
This odd and dainty little story has a heroine of striking originality,
in character and exploits. Her real name is Valentine de Vermont, and
she is the daughter of a fabulously wealthy French-American dealer in
furs, and when, after his death, she goes to Paris to spend her colossal
fortune, and to make restitution to the man from whom her father won at
play the large sum that became the foundation of his wealth, certain
lively Parisian ladies, envying her her rich furs, gave her the name of
Zibeline, that of a very rare, almost extinct, wild animal. Zibeline's
American unconventionality, her audacity, her wealth, and generosity, set
all Paris by the ears. There are fascinating glimpses into the drawing-
rooms of the most exclusive Parisian society, and also into the historic
greenroom of the Comedie Francaise, on a brilliant "first night." The man
to whom she makes graceful restitution of his fortune is a hero of the
Franco-Mexican and Franco-Prussian wars, and when she gives him back his
property, she throws her heart in with the gift. The story is an
interesting study of a brilliant and unconventional American girl as seen
by the eyes of a clever Frenchman.

Later came 'La Revue quand meme, comedy, (1894); Souvenirs et Impressions
(1897); La Revue retrospective, comedy (1899); and Sonnets' the same