Paris' and the 'Revue des Deux Mondes'. His greatest novel, 'Reine des
Bois' (Woodland Queen), was crowned by the Academie Francaise in 1890.
To the public in general he became first known in 1870 by his 'Nouvelles
Intimes'. Since that time he has published a great many volumes of
poems, drama, and fiction. A great writer, he perhaps meets the wishes
of that large class of readers who seek in literature agreeable rest and
distraction, rather than excitement or aesthetic gratification. He is
one of the greatest spirits that survived the bankruptcy of Romanticism.
He excels in the description of country nooks and corners; of that polite
rusticity which knows nothing of the delving laborers of 'La Terre', but
only of graceful and learned leisure, of solitude nursed in revery, and
of passion that seems the springtide of germinating nature. He possesses
great originality and the passionate spirit of a 'paysagiste': pictures
of provincial life and family-interiors seem to appeal to his most
pronounced sympathies. His taste is delicate, his style healthy and
frank, and at the same time limpid and animated.

After receiving, in 1890, the Prix Vitet for the ensemble of his literary
productions, he was elected to the Academy in 1896. To the stage
Theuriet has given 'Jean-Marie', drama in verses (Odeon, February 11,
1871). It is yet kept on the repertoire together with his 'Maison de
deux Barbeaux (1865), Raymonde (1887), and Les Maugars (1901).'

His novels, tales, and poems comprise a long list. 'Le Bleu et le Noir'
(1873) was also crowned by the Academy. Then followed, at short
intervals: 'Mademoiselle Guignon (1874.); Le Mariage de Gerard (1875); La
Fortune d'Angele (1876); Raymonde (1877),' a romance of modern life,
vastly esteemed by the reading public; 'Le Don Juan de Vireloup (1877);
Sous Bois, Impressions d'un Forestier (1878); Le Filleul d'un Marquis
(1878); Les Nids (1879); Le fils Maugars (1879); La Maison de deux