mysterious Diane--that Diane de Poitiers, twice a goddess and twice
adored in these voluptuous woods.

The base of this strange monument is like the monument itself, full of
elegance and mystery; there is a double staircase, which rises in two
interwoven spirals from the most remote foundations of the edifice up to
the highest points, and ends in a lantern or small lattice-work cabinet,
surmounted by a colossal fleur-de-lys, visible from a great distance.
Two men may ascend it at the same moment, without seeing each other.

This staircase alone seems like a little isolated temple. Like our
churches, it is sustained and protected by the arcades of its thin,
light, transparent, openwork wings. One would think the docile stone had
given itself to the finger of the architect; it seems, so to speak,
kneaded according to the slightest caprice of his imagination. One can
hardly conceive how the plans were traced, in what terms the orders were
explained to the workmen. The whole thing appears a transient thought,
a brilliant revery that at once assumed a durable form---the realization
of a dream.

Cinq-Mars was slowly ascending the broad stairs which led him to the
King's presence, and stopping longer at each step, in proportion as he
approached him, either from disgust at the idea of seeing the Prince
whose daily complaints he had to hear, or thinking of what he was about
to do, when the sound of a guitar struck his ear. He recognized the
beloved instrument of Louis and his sad, feeble, and trembling voice
faintly reechoing from the vaulted ceiling. Louis seemed trying one of
those romances which he was wont to compose, and several times repeated
an incomplete strain with a trembling hand. The words could scarcely be
distinguished; all that Cinq-Mars heard were a few such as 'Abandon,