"No, Paul, I am sure--take Amedee down from his chair, and let us go out
upon the balcony."

It was cool upon this high balcony. The sun had set, and now the great
clouds resembled mountains of gold, and a fresh odor came up from the
surrounding gardens.

"Good-evening, Monsieur Violette," suddenly said a cordial voice. "What
a fine evening!"

It was their neighbor, M. Gerard, an engraver, who had also come to take
breath upon his end of the balcony, having spent the entire day bent over
his work. He was large and bald-headed, with a good-natured face, a red
beard sprinkled with white hairs, and he wore a short, loose coat. As he
spoke he lighted his clay pipe, the bowl of which represented Abd-el-
Kader's face, very much colored, save the eyes and turban, which were of
white enamel.

The engraver's wife, a dumpy little woman with merry eyes, soon joined
her husband, pushing before her two little girls; one, the smaller of the
two, was two years younger than Amedee; the other was ten years old, and
already had a wise little air. She was the pianist who practised one
hour a day Marcailhou's Indiana Waltz.

The children chattered through the trellis that divided the balcony in
two parts. Louise, the elder of the girls, knew how to read, and told
the two little ones very beautiful stories: Joseph sold by his brethren;
Robinson Crusoe discovering the footprints of human beings.

Amedee, who now has gray hair upon his temples, can still remember the