friend Amedee. He is suffering with lovesickness, and has a heart to
let. Although he is a poet, I think he happens to have in his pocket
enough to pay for a supper."

Everywhere and always the same, the egotistical and amiable Maurice takes
the lion's share, and Amedee, listening only with one ear to the large
Margot, who is already begging him to make an acrostic for her, thinks
Rosine is charming, while Maurice says a thousand foolish things to her.
In spite of himself, the poet looks upon Maurice as his superior, and
thinks it perfectly natural that he should claim the prettier of the two
women. No matter! Amedee wanted to enjoy himself too. This Margot, who
had just taken off her gloves to drink her wine, had large, red hands,
and seemed as silly as a goose, but all the same she was a beautiful
creature, and the poet began to talk to her, while she laughed and looked
at him with a wanton's eyes. Meanwhile the orchestra burst into a polka,
and Maurice, in raising his voice to speak to his friend, called him
several times Amedee, and once only by his family name, Violette.
Suddenly little Rosine started up and looked at the poet, saying with
astonishment:

"What! Is your name Amedee Violette?"

"Certainly."

"Then you are the boy with whom I played so much when I was a child."

"With me?"

"Yes! Do you not remember Rosine, little Rosine Combarieu, at Madame
Gerard's, the engraver's wife, in the Rue Notre-Dame-des-Champs? We