declarations of love murmured to the heroine in full toilette by a lover
leaning his elbow upon the piano, with all the airs and graces of a
first-class dandy. However, Jocquelet, in the old artisan's role, was
emphatic and exaggerated, and an ugly and commonplace debutante was an
utter failure. The criticisms, generally routine in character, were not
gracious, and the least surly ones condemned Amedee's attempt, qualifying
it as an honorable effort. There were some slashes; one "long-haired"
fellow from the Cafe de Seville failed in his criticism--the very one who
once wrote a description of the violation of a tomb--to crush the author
of L'Atelier in an ultra-classical article, wherein he protested against
realism and called to witness all the silent, sculptured authors in the
hall.

It was a singular thing, but Amedee was easily consoled over his failure.
He did not have the necessary qualities to succeed in the theatrical
line? Very well, he would give it up, that was all! It was not such a
great misfortune, upon the whole, to abandon the most difficult art of
all, but not the first; which did not allow a poet to act his own free
liking. Amedee began to compose verses for himself--for his own
gratification; to become intoxicated with his own rhymes and fancies; to
gather with a sad pleasure the melancholy flowers that his trouble had
caused to blossom in his heart.

Meanwhile summer arrived, and Maurice returned to Paris with his wife and
a little boy, born at Nice, and Amedee must go to see them, although he
knew in advance that the visit would make him unhappy.

The amateur painter was handsomer than ever. He was alone in his studio,
wearing his same red jacket. He had decorated and even crammed the room
full of luxurious and amusing knickknacks. The careless young man