fine point, which entered her breast to the left. She had slept a sleep
so profound, after the soiree of the day before, on which she had thought
she perceived in her mother's attitude between the Polish count and the
American painter a proof of certain innocence.

She admired her mother so much, she thought her so intelligent, so
beautiful, so good, that to doubt her was a thought not to be borne!
There were times when she doubted her. A terrible conversation about the
Countess, overheard in a ballroom, a conversation between two men, who
did not know Alba to be behind them, had formed the principal part of the
doubt, which, by turns, had increased and diminished, which had abandoned
and tortured her, according to the signs, as little decisive as Madame
Steno's tranquillity of the preceding day or her confusion that morning.
It was only an impression, very rapid, instantaneous, the prick of a
needle, which merely leaves after it a drop of blood, and yet she had a
smile with which to say to Boleslas:

"How did Maud rest? How is she this morning? And my little friend Luc?"

"They are very well," replied Gorka. The last stage of his fury,
suddenly arrested by the presence of the young girl, was manifested, but
only to the Countess, by the simple phrase to which his eyes and his
voice lent an extreme bitterness: "I found them as I left them.... Ah!
They love me dearly.... I leave you to Peppino, Countess," added he,
walking toward the door. "Mademoiselle, I will bear your love to Maud."
....He had regained all the courtesy which a long line of savage 'grands
seigneurs', but 'grands seigneurs' nevertheless, had instilled in him.
If his bow to Madame Steno was very ceremonious, he put a special grace
in the low bow with which he took leave of the Contessina. It was merely
a trifle, but the Countess was keen enough to perceive it. She was