supported by one of those deep attachments often so strong within us.
Such was the case with Florent.

Dorsenne's instinct, which could so easily read the heart, was not
mistaken there; the painter had in his wife's brother a friend of self-
sacrificing devotion. He could exact anything of the Mameluke, or,
rather, of that slave, for it was the blood of the slaves, of his
ancestors, which manifested itself in Chapron by so total an absorption
of his personality. The atavism of servitude has these two effects which
are apparently contradictory: it produces fathomless capacities of
sacrifice or of perfidy. Both of these qualities were embodied in the
brother and in the sister. As happens, sometimes, the two
characteristics of their race were divided between them; one had
inherited all the virtue of self-sacrifice, the other all the puissance
of hypocrisy.

But the drama called forth by Madame Steno's infidelity, and finally by
Gorka's rashness, would only expose to light the moral conditions which
Dorsenne had foreseen without comprehending. He was completely ignorant
of the circumstances under which Florent had developed, of those under
which Maitland and he had met, of how Maitland had decided to marry
Lydia; finally an exceptional and lengthy history which it is necessary
to sketch here at least, in order to render clear the singular relations
of those three beings.

As we have seen, the allusion coarsely made by Boleslas to negro blood
marked the moment when Florent lost all self-control, to the point even
of raising his cane to his insolent interlocutor. That blemish, hidden
with the most jealous care, represented to the young man what it had
represented to his father, the vital point of self-love, secret and