She was greatly disappointed when the footman at the palace told her that
the Count had gone out, while at the same moment a voice interrupted him
with a gay laugh. It was Countess Maud Gorka, who, returning from her
walk with her little boy, recognized Lydia's coup, and who said to her:

"What a lucky idea I had of returning a little sooner. I see you were
afraid of a storm, as you drove out in a closed carriage. Will you come
upstairs a moment?" And, perceiving that the young woman, whose hand she
had taken, was trembling: "What ails you? I should think you were ill!
You do not feel well? My God, what ails her! She is ill, Luc," she
added, turning to her son; "run to my room and bring me the large bottle
of English salts; Rose knows which one. Go, go quickly."

"It is nothing," replied Lydia, who had indeed closed her eyes as if on
the point of swooning. "See, I am better already. I think I will return
home; it will be wiser."

"I shall not leave you," said Maud, seating herself, too, in the
carriage; and, as they handed her the bottle of salts, she made Madame
Maitland inhale it, talking to her the while as to a sick child: "Poor
little thing!"

"How her cheeks burn! And you pay visits in this state. It is very
venturesome! Rue Leopardi," she called to the coachman, "quickly."

The carriage rolled away, and Madame Gorka continued to press the tiny
hands of Lydia, to whom she gave the tender name, so ironical under the
circumstances, of "Poor little one!" Maud was one of those women like
whom England produces many, for the honor of that healthy and robust
British civilization, who are at once all energy and all goodness. As