"When we are at home I will speak,".... replied Lydia, after having
looked at Maud with a surprised glance, which was in itself the most
terrible reply. The two women were silent. It was Maud who now required
the sympathy of friendship, so greatly had the words uttered by Lydia
startled her. The companion whose arm rested upon hers in that carriage,
and who had inspired her with such pity fifteen minutes before, now
rendered her fearful. She seemed to be seated by the side of another
person. In the creature whose thin nostrils were dilated with passion,
whose mouth was distorted with bitterness, whose eyes sparkled with
anger, she no longer recognized little Madame Maitland, so taciturn, so
reserved that she was looked upon as insignificant. What had that voice,
usually so musical, told her; that voice so suddenly become harsh, and
which had already revealed to her the great danger suspended over
Boleslas? To what woman had that voice alluded, and what meant that
sudden reticence?

Lydia was fully aware of the grief into which she would plunge Maud
without the slightest premeditation. For a moment she thought it almost
a crime to say more to a woman thus deluded. But at the same time she
saw in the revelation two certain results. In undeceiving Madame Gorka
she made a mortal enemy for Madame Steno, and, on the other hand, never
would the woman so deeply in love with her husband allow him to fight for
a former mistress. So, when they both entered the small salon of the
Moorish mansion, Lydia's resolution was taken. She was determined to
conceal nothing of what she knew from unhappy Maud, who asked her, with a
beating heart, and in a voice choked by emotion:

"Now, will you explain to me what you want to say?"

"Question me," replied the other; "I will answer you. I have gone too