wounding her dear friend, who was not responsible for the fact that the
two culprits had taken shelter behind her innocence.

Having entered the small, pretty boudoir which led into her bedroom, she
seated herself at her desk, on which was a photograph of Madame Steno, in
a group consisting of Boleslas, Alba, and herself. The photograph smiled
with a smile of superb insolence, which suddenly reawakened in the
outraged woman her frenzy of rancor, interrupted or rather suspended for
several moments by pity. She took the frame in her hands, she cast it
upon the ground, trampling the glass beneath her feet, then she began to
write, on the first blank sheet, one of those notes which passion alone
dares to pen, which does not draw back at every word:

"I know all. For two years you have been my husband's mistress. Do not
deny it. I have read the confession written by your own hand. I do not
wish to see nor to speak to you again. Never again set foot in my house.
On account of your daughter I have not driven you out to-day. A second
time I shall not hesitate."

She was just about to sign Maud Gorka, when the sound of the door opening
and shutting caused her to turn. Boleslas was before her. Upon his face
was an ambiguous expression, which exasperated the unhappy wife still
more. Having returned more than an hour before, he had learned that Maud
had accompanied to the Rue Leopardi Madame Maitland, who was ill, and he
awaited her return with impatience, agitated by the thought that
Florent's sister was no doubt ill owing to the duel of the morrow, and in
that case, Maud, too, would know all. There are conversations and, above
all, adieux which a man who is about to fight a duel always likes to
avoid. Although he forced a smile, he no longer doubted. His wife's
evident agitation could not be explained by any other cause. Could he