"Have you seen Adele Page, in 'Les Trois Mousquetaires?' And Melingue?
And Marie Laurent? Oh! Marie Laurent!"

The actors' doublets, the embroidered costumes of the queens of
melodrama, appeared before them in the white light of the necklaces
forming beneath their fingers.

In summer the work was less pressing. It was the dull season. In the
intense heat, when through the drawn blinds fruit-sellers could be heard
in the street, crying their mirabelles and Queen Claudes, the workgirls
slept heavily, their heads on the table. Or perhaps Malvina would go and
ask Mademoiselle Le Mire for a copy of the 'Journal pour Tous,' and read
aloud to the others.

But little Chebe did not care for the novels. She carried one in her
head much more interesting than all that trash.

The fact is, nothing could make her forget the factory. When she set
forth in the morning on her father's arm, she always cast a glance in
that direction. At that hour the works were just stirring, the chimney
emitted its first puff of black smoke. Sidonie, as she passed, could
hear the shouts of the workmen, the dull, heavy blows of the bars of the
printing-press, the mighty, rhythmical hum of the machinery; and all
those sounds of toil, blended in her memory with recollections of fetes
and blue-lined carriages, haunted her persistently.

They spoke louder than the rattle of the omnibuses, the street cries, the
cascades in the gutters; and even in the workroom, when she was sorting
the false pearls even at night, in her own home, when she went, after
dinner, to breathe the fresh air at the window on the landing and to gaze