for a moment, then resuming their walk. Frantz felt as if he were living
in a horrible dream. The rapid journey, the sudden change of scene and
climate, the ceaseless flow of Sigismond's words, the new idea that he
had to form of Risler and Sidonie--the same Sidonie he had loved so
dearly--all these things bewildered him and almost drove him mad.

It was late. Night was falling. Sigismond proposed to him to go to
Montrouge for the night; he declined on the plea of fatigue, and when he
was left alone in the Marais, at that dismal and uncertain hour when the
daylight has faded and the gas is still unlighted, he walked
instinctively toward his old quarters on the Rue de Braque.

At the hall door hung a placard: Bachelor's Chamber to let.

It was the same room in which he had lived so long with his brother. He
recognized the map fastened to the wall by four pins, the window on the
landing, and the Delobelles' little sign: 'Birds and Insects for
Ornament.'

Their door was ajar; he had only to push it a little in order to enter
the room.

Certainly there was not in all Paris a surer refuge for him, a spot
better fitted to welcome and console his perturbed spirit, than that
hard-working familiar fireside. In his present agitation and perplexity
it was like the harbor with its smooth, deep water, the sunny, peaceful
quay, where the women work while awaiting their husbands and fathers,
though the wind howls and the sea rages. More than all else, although he
did not realize that it was so, it was a network of steadfast affection,
that miraculous love-kindness which makes another's love precious to us