full view of the boxes, laughed with all her heart at the grandfather's
anecdotes, happy to have descended from the second or third gallery, her
usual place in the old days, to that lovely proscenium box, adorned with
mirrors, with a velvet rail that seemed made expressly for her light
gloves, her ivory opera-glass, and her spangled fan. The tawdry glitter
of the theatre, the red and gold of the hangings, were genuine splendor
to her. She bloomed among them like a pretty paper flower in a filigree
jardiniere.

One evening, at the performance of a successful play at the Palais-Royal,
among all the noted women who were present, painted celebrities wearing
microscopic hats and armed with huge fans, their rouge-besmeared faces
standing out from the shadow of the boxes in the gaudy setting of their
gowns, Sidonie's behavior, her toilette, the peculiarities of her laugh
and her expression attracted much attention. All the opera-glasses in
the hall, guided by the magnetic current that is so powerful under the
great chandeliers, were turned one by one upon the box in which she sat.
Claire soon became embarrassed, and modestly insisted upon changing
places with her husband, who, unluckily, had accompanied them that
evening.

Georges, youthful and elegant, sitting beside Sidonie, seemed her natural
companion, while Risler Allle, always so placid and self-effacing, seemed
in his proper place beside Claire Fromont, who in her dark clothes
suggested the respectable woman incog. at the Bal de l'Opera.

Upon leaving the theatre each of the partners offered his arm to his
neighbor. A box-opener, speaking to Sidonie, referred to Georges as
"your husband," and the little woman beamed with delight.