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Madame Chrysantheme — Volume 1 by Pierre Loti
page 9 of 53 (16%)
thickly wooded parts near the water's edge were steeped in twilight.

The passing junks, gleaming white against the background of dark foliage,
were silently and dexterously manoeuvred by small, yellow, naked men,
with long hair piled up on their heads in feminine fashion. Gradually,
as we advanced farther up the green channel, the perfumes became more
penetrating, and the monotonous chirp of the cicalas swelled out like an
orchestral crescendo. Above us, against the luminous sky, sharply
delineated between the mountains, a kind of hawk hovered, screaming out,
with a deep, human voice, "Ha! Ha! Ha!" its melancholy call prolonged
by the echoes.

All this fresh and luxuriant nature was of a peculiar Japanese type,
which seemed to impress itself even on the mountain-tops, and produced
the effect of a too artificial prettiness. The trees were grouped in
clusters, with the pretentious grace shown on lacquered trays. Large
rocks sprang up in exaggerated shapes, side by side with rounded, lawn-
like hillocks; all the incongruous elements of landscape were grouped
together as if artificially created.

When we looked intently, here and there we saw, often built in
counterscarp on the very brink of an abyss, some old, tiny, mysterious
pagoda, half hidden in the foliage of the overhanging trees, bringing to
the minds of new arrivals, like ourselves, a sense of unfamiliarity and
strangeness, and the feeling that in this country the spirits, the sylvan
gods, the antique symbols, faithful guardians of the woods and forests,
were unknown and incomprehensible.

When Nagasaki appeared, the view was rather disappointing. Situated at
the foot of green overhanging mountains, it looked like any other
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