Madame Chrysantheme — Volume 2 by Pierre Loti
page 24 of 44 (54%)
page 24 of 44 (54%)
![]() | ![]() |
|
fall the day-dress, and slips on a more simple one of blue cotton, which
has the same pagoda sleeves, the same shape all but the train, and which she fastens round her waist with a sash of muslin of the same color. The high head-dress remains untouched, it is needless to say--that is, all but the pins, which are taken out and laid beside her in a lacquer box. Then there is the little silver pipe that must absolutely be smoked before going to sleep; this is one of the customs which most provoke me, but it has to be borne. Chrysantheme squats like a gipsy before a certain square box, made of red wood, which contains a little tobacco-jar, a little porcelain stove full of hot embers, and finally a little bamboo pot serving at the same time as ash-tray and cuspidor. (Madame Prune's smoking-box downstairs, and every smoking-box in Japan, is exactly the same, and contains precisely the same objects, arranged in precisely the same manner; and wherever it may be, whether in the house of the rich or the poor, it always lies about somewhere on the floor.) The word "pipe" is at once too trivial and too big to be applied to this delicate silver tube, which is perfectly straight and at the end of which, in a microscopic receptacle, is placed one pinch of golden tobacco, chopped finer than silken thread. Two puffs, or at most three; it lasts scarcely a few seconds, and the pipe is finished. Then tap, tap, tap, tap, the little tube is struck smartly against the edge of the smoking-box to knock out the ashes, which never will fall; and this tapping, heard everywhere, in every house, at |
|