open this impenetrable depositary. The true Japanese manner of
understanding luxury consists in a scrupulous and indeed almost excessive
cleanliness, white mats and white woodwork; an appearance of extreme
simplicity, and an incredible nicety in the most infinitesimal details.

My mother-in-law seems to be really a very good woman, and were it not
for the insurmountable feeling of spleen the sight of her garden produces
on me, I should often go to see her. She has nothing in common with the
mammas of Jonquille, Campanule, or Touki she is vastly their superior;
and then I can see that she has been very good-looking and fashionable.
Her past life puzzles me; but, in my position as a son-in-law, good
manners prevent my making further inquiries.

Some assert that she was formerly a celebrated geisha in Yeddo, who lost
public favor by her folly in becoming a mother. This would account for
her daughter's talent on the guitar; she had probably herself taught her
the touch and style of the Conservatory.

Since the birth of Chrysantheme (her eldest child and first cause of this
loss of favor), my mother-in-law, an expansive although distinguished
nature, has fallen seven times into the same fatal error, and I have two
little sisters-in-law: Mademoiselle La Neige,--[Oyouki-San]--and
Mademoiselle La Lune,--[Tsouki-San.]--as well as five little brothers-
in-law: Cerisier, Pigeon, Liseron, Or, and Bambou.

Little Bambou is four years old--a yellow baby, fat and round all over,
with fine bright eyes; coaxing and jolly, sleeping whenever he is not
laughing. Of all my Nipponese family, Bambou is the one I love the most.