Madame Chrysantheme — Volume 3 by Pierre Loti
page 34 of 49 (69%)
page 34 of 49 (69%)
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of blue and red, edged with black, and an oleander-tree full of flowers,
growing among the stones of the bridge, spread its glory beside her, bathed, like herself, in the sunshine. Behind this youthful figure and this flowering shrub all was blackness. Upon the pretty red and blue parasol great white letters formed this inscription, much used among the mousmes, and which I have learned to recognize: 'Stop! clouds, to see her pass!' And it was really worth the trouble to stop and look at this exquisite little person, of a type so ideally Japanese. However, it will not do to stop too long and be ensnared--it would only be another delusion. A doll like the rest, evidently, an ornament for a china shelf, and nothing more. While I gaze at her, I say to myself that Chrysantheme, appearing in this same place, with this dress, this play of light, and this aureole of sunshine, would produce just as delightful an effect. For Chrysantheme is pretty, there can be no doubt about it. Yesterday evening, in fact, I positively admired her. It was quite night; we were returning with the usual escort of little married couples like ourselves, from the inevitable tour of the tea-houses and bazaars. While the other mousmes walked along hand in hand, adorned with new silver topknots which they had succeeded in having presented to them, and amusing themselves with playthings, she, pleading fatigue, followed, half reclining, in a djin carriage. We had placed beside her great bunches of flowers destined to fill our vases, late iris and long-stemmed lotus, the last of the season, already smelling of autumn. And it was really very pretty to see this Japanese girl in her little car, lying carelessly among all these water-flowers, lighted by gleams of ever-changing colors, as they chanced from the lanterns we met or passed. If, on the evening of my arrival in Japan, any one had pointed her out to me, and said: "That |
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