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Madame Chrysantheme — Volume 3 by Pierre Loti
page 8 of 49 (16%)
polite and frivolous persons pass and repass like fantastic shadows:
childish bands of small-eyed mousmes with smile so candidly meaningless
and coiffures shining through their bright silver flowers; ugly men
waving at the end of long branches their eternal lanterns shaped like
birds, gods, or insects.

Behind us, in the illuminated and wide-open temple, the bonzes sit,
immovable embodiments of doctrine, in the glittering sanctuary inhabited
by divinities, chimeras, and symbols. The crowd, monotonously droning
its mingled prayers and laughter, presses around them, sowing its alms
broadcast; with a continuous jingle, the money rolls on the ground into
the precincts reserved to the priests, where the white mats entirely
disappear under the mass of many-sized coins accumulated there as if
after a deluge of silver and bronze.

We, however, feel thoroughly at sea in the midst of this festivity; we
look on, we laugh like the rest, we make foolish and senseless remarks in
a language insufficiently learned, which this evening, I know not why, we
can hardly understand. Notwithstanding the night breeze, we find it very
hot under our awning, and we absorb quantities of odd-looking water-ices,
served in cups, which taste like scented frost, or rather like flowers
steeped in snow. Our mousmes order for themselves great bowls of candied
beans mixed with hail--real hailstones, such as we might pick up after a
hailstorm in March.

Glou! glou! glou! the crystal trumpets slowly repeat their notes, the
powerful sonority of which has a labored and smothered sound, as if they
came from under water; they mingle with the jingling of rattles and the
noise of castanets. We have also the impression of being carried away in
the irresistible swing of this incomprehensible gayety, composed, in
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