that my eyes are at last opened to see it in its true light, that all my
senses are undergoing a strange and abrupt transition. I suddenly have a
better perception and appreciation of all the infinity of dainty trifles
among which I live; of the fragile and studied grace of their forms, the
oddity of their drawings, the refined choice of their colors.

I stretch myself upon the white mats; Chrysantheme, always eagerly
attentive, brings me my pillow of serpent's-skin; and the smiling
mousmes, with the interrupted rhythm of a while ago still running in
their heads, move around me with measured steps.

Their immaculate socks with the separate great toes make no noise;
nothing is heard, as they glide by, but a 'froufrou' of silken stuffs.
I find them all pleasant to look upon; their dollish air pleases me now,
and I fancy I have discovered what it is that gives it to them: it is not
only their round, inexpressive faces with eyebrows far removed from the
eyelids, but the excessive amplitude of their dress. With those huge
sleeves, it might be supposed they have neither back nor shoulders; their
delicate figures are lost in these wide robes, which float around what
might be little marionettes without bodies at all, and which would slip
to the ground of themselves were they not kept together midway, about
where a waist should be, by the wide silken sashes--a very different
comprehension of the art of dressing to ours, which endeavors as much as
possible to bring into relief the curves, real or false, of the figure.

And then, how much I admire the flowers in our vases, arranged by
Chrysantheme, with her Japanese taste, lotus-flowers, great, sacred
flowers of a tender, veined rose color, the milky rose-tint seen on
porcelain; they resemble, when in full bloom, great water-lilies, and
when only in bud might be taken for long pale tulips. Their soft but