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Madame Chrysantheme — Volume 4 by Pierre Loti
page 14 of 43 (32%)
without any definite purpose, the pathway which rises ever higher and
higher, and loses itself at length in the solitary regions of the
mountain among the upper peaks.

For an hour at least we wander on--an unintended walk--and finally find
ourselves at a great height commanding an endless perspective lighted by
the last gleams of daylight; we are in a desolate and mournful spot, in
the midst of the little Buddhist cemeteries, which are scattered over the
country in every direction.

We meet a few belated laborers, who are returning from the fields with
bundles of tea upon their shoulders. These peasants have a half-savage
air. They are half naked, too, or clothed only in long robes of blue
cotton; as they pass, they salute us with humble bows.

No trees in this elevated region. Fields of tea alternate with tombs:
old granite statues which represent Buddha in his lotus, or else old
monumental stones on which gleam remains of inscriptions in golden
letters. Rocks, brushwood, uncultivated spaces, surround us on all
sides.

We meet no more passers-by, and the light is failing. We will halt for a
moment, and then it will be time to turn our steps homeward.

But, close to the spot where we stand, a box of white wood provided with
handles, a sort of sedan-chair, rests on the freshly disturbed earth,
with its lotus of silvered paper, and the little incense-sticks, burning
yet, by its side; clearly some one has been buried here this very
evening.

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