often attacked him with a passionate violence and unusual severity. True,
a high philosophical flow of thoughts cannot be detected in his writings,
but nevertheless it is certain that the characters and the subjects of
which he treats are brilliantly sketched and clearly developed. They are
likewise of perfect morality and honesty.

There was expected of him, however, an idea which was not quite realized.
Appearing upon the literary stage at a period when Naturalism was
triumphant, it was for a moment believed that he would restore Idealism
in the manner of George Sand.

In any case the hostile critics have lost. For years public opinion has
exalted him, and the reaction is the more significant when compared with
the tremendous criticism launched against his early romances and novels.

A list of his works follows:

Serge Panine (1881), crowned by the French Academy, has since gone
through one hundred and fifty French editions; Le Maitre des Forges
(1882), a prodigious success, two hundred and fifty editions being
printed (1900); La Comtesse Sarah (1882); Lise Fleuyon (1884); La Grande
Maynieye (1886); Les Dames de Croix-Mort (1886); Volonte (1888); Le
Docteur Rameau (1889); Deynier Amour (1889); Le Cure de Favieyes (1890);
Dette de Haine (1891); Nemsod et Cie. (1892); Le Lendemain des Amours
(1893); Le Droit de l'Enfant (1894.); Les Vielles Rancunes (1894); La
Dame en Gris (1895); La Fille du Depute (1896); Le Roi de Paris (1898);
Au Fond du Gouffre (1899); Gens de la Noce (1900); La Tenibreuse (1900);
Le Cyasseur d'Affaires (1901); Le Crepuscule (1901); Le Marche a l'Amour
(1902).