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The Renaissance: studies in art and poetry by Walter Pater
page 11 of 199 (05%)
had testified his love for her by giving her an education then
unrivalled, so that rumour asserted that, through the knowledge
of languages, enabling her to penetrate into the mysteries of the
older world, she had become a sorceress, like the Celtic
druidesses; and how as Abelard and Heloise sat together at home
there, to refine a little further on the nature of abstract ideas,
"Love made himself of the party with them." You conceive the
temptations of the scholar, who, in such dreamy tranquillity, amid
the bright and busy spectacle of the "Island," lived in a world of
something like shadows; and that for one who knew so well how
to assign its exact value to every abstract thought, those restraints
which lie on the consciences of other men had been relaxed. It
appears that he composed many verses in the vulgar tongue:
already the young men sang them on the quay below the house.
Those songs, says M. de Remusat, [5] were probably in the taste
of the Trouveres, "of whom he was one of the first in date, or, so
to speak, the predecessor." It is the same spirit which has
moulded the famous "letters," written in the quaint Latin of the
middle age.

At the foot of that early Gothic tower, which the next generation
raised to grace the precincts of Abelard's school, on the
"Mountain of Saint Genevieve," the historian Michelet sees in
thought "a terrible assembly; not the hearers of Abelard alone,
fifty bishops, twenty cardinals, two popes, the whole body of
scholastic philosophy; not only the learned Heloise, the teaching
of languages, and the Renaissance; but Arnold of Brescia--that is
to say, the revolution." And so from the rooms of this shadowy
house by the Seine side we see that spirit going abroad, with its
qualities already well defined, its intimacy, its languid sweetness,
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