The Renaissance: studies in art and poetry by Walter Pater
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page 11 of 199 (05%)
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had testified his love for her by giving her an education then
unrivalled, so that rumour asserted that, through the knowledge of languages, enabling her to penetrate into the mysteries of the older world, she had become a sorceress, like the Celtic druidesses; and how as Abelard and Heloise sat together at home there, to refine a little further on the nature of abstract ideas, "Love made himself of the party with them." You conceive the temptations of the scholar, who, in such dreamy tranquillity, amid the bright and busy spectacle of the "Island," lived in a world of something like shadows; and that for one who knew so well how to assign its exact value to every abstract thought, those restraints which lie on the consciences of other men had been relaxed. It appears that he composed many verses in the vulgar tongue: already the young men sang them on the quay below the house. Those songs, says M. de Remusat, [5] were probably in the taste of the Trouveres, "of whom he was one of the first in date, or, so to speak, the predecessor." It is the same spirit which has moulded the famous "letters," written in the quaint Latin of the middle age. At the foot of that early Gothic tower, which the next generation raised to grace the precincts of Abelard's school, on the "Mountain of Saint Genevieve," the historian Michelet sees in thought "a terrible assembly; not the hearers of Abelard alone, fifty bishops, twenty cardinals, two popes, the whole body of scholastic philosophy; not only the learned Heloise, the teaching of languages, and the Renaissance; but Arnold of Brescia--that is to say, the revolution." And so from the rooms of this shadowy house by the Seine side we see that spirit going abroad, with its qualities already well defined, its intimacy, its languid sweetness, |
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