Gaston de Latour; an unfinished romance by Walter Pater
page 2 of 122 (01%)
page 2 of 122 (01%)
|
which had encircled them in that warmer and more lightsome home it
was visible they had cared for so much, even in some peculiarities of the very ground-plan of the house itself--everywhere was the token of their anxious estimate of all those incidents of man's pathway through the world [2] which knit the wayfarers thereon most closely together. Why this irregularity of ground-plan?--the traveller would ask; recognising indeed a certain distinction in its actual effect on the eye, and suspecting perhaps some conscious aim at such effect on the part of the builders of the place in an age indulgent of architectural caprices. And the traditional answer to the question, true for once, still showed the race of Latour making much, making the most, of the sympathetic ties of human life. The work, in large measure, of Gaston de Latour, it was left unfinished at his death, some time about the year 1594. That it was never completed could hardly be attributed to any lack of means, or of interest; for it is plain that to the period of the Revolution, after which its scanty remnants passed into humble occupation (a few circular turrets, a crenellated curtain wall, giving a random touch of dignity to some ordinary farm-buildings) the place had been scrupulously maintained. It might seem to have been a kind of reverence rather that had allowed the work to remain untouched for future ages precisely at this point in its growth. And the expert architectural mind, peeping acutely into recondite motives and half-accomplished purposes in such matters, could detect the circumstance which had determined that so noticeable peculiarity of ground-plan. Its kernel was not, as in most similar buildings of that date, [3] a feudal fortress, but an unfortified manor-house--a |
|