Gaston de Latour; an unfinished romance by Walter Pater
page 96 of 122 (78%)
page 96 of 122 (78%)
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the officers in immediate charge it was intimated that "those of the
new religion" designed "to rise against the king's authority, to the trouble of his subjects and the city of Paris. For the prevention of which conspiracy the king enjoined the Provost to possess himself [127] of the keys of the various city gates, and seize all boats plying on the river, to the end that none might enter or depart." And just before the lists close around the doomed, Gaston has bounded away on his road homeward to the bed of the dying grandfather, after embracing his wife, anxious, if she might, to share his journey, with some forecast of coming evil among those dark people. The white badges of Catholicism had been distributed, not to every Catholic (a large number of Catholics perished), to some Huguenots such as La Rochefoucauld, brave guerrier et joyeux compagnon, dear to Charles, hesitating still with some last word of conscience in his ear at the very gate of the Louvre, when a random pistol-shot, in the still undisturbed August night, rousing sudden fear for himself, precipitates the event, and as if in delirium he is driven forth on the scent of human blood. He had always hunted like a madman. It was thus "the matins of Paris" began, in which not religious zealots only assisted, but the thieves, the wanton, the unemployed, the reckless children, les enfants massacreurs like those seen dragging an insulted dead body to the Seine, greed or malice or the desire for swift settlement of some long-pending law-suit finding here an opportunity. A religious pretext had brought into sudden evidence all the latent ferocities of a corrupt though dainty civilisation, and while the stairways of the Louvre, the streets, [128] the vile trap-doors of Paris, run blood, far away at Deux-manoirs Gaston watches as the light creeps over the silent cornfields, the last sense of it in those aged eyes now ebbing softly away. The village |
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