Poivriere when her speed relaxed, her limbs trembled. Ten steps farther
on she tottered and almost fell. Some steps farther, and she became so
exhausted that she let go her hold upon her skirts; they trailed upon
the snow, tracing a faint circle there. Then the woman with the broad
feet came to aid her. She seized her companion round the waist; she
dragged her along; their footprints here are mingled confusedly; then,
seeing that her friend was about to fall, she caught her up in her
strong arms and carried her--for you will see that the footprints made
by the woman with the small feet suddenly cease at this point."

Was Lecoq merely amusing himself by inventing this story? Was this scene
anything but a work of imagination? Was the accent of deep and sincere
conviction which he imparted to his words only feigned?

Father Absinthe was still in doubt, but he thought of a way in which he
might satisfy his uncertainty. He caught up the lantern and hurried off
to examine these footprints which he had not known how to read, which
had been speechless to him, but which yielded their secret to another.
He was obliged to agree with his companion. All that Lecoq had described
was written there; he saw the confused footprints, the circle made by
the sweeping skirts, the cessation of the tiny imprints.

On his return, his countenance betrayed a respectful and astonished
admiration, and it was with a shade of embarrassment that he said: "You
can scarcely blame an old man for being a little like St. Thomas. 'I
have touched it with my fingers,' and now I am content to follow you."

The young police agent could not, indeed, blame his colleague for his
incredulity. Resuming his recital, he continued: "Then the accomplice,
who had heard the fugitives coming, ran to meet them, and he aided the