GETTING ACQUAINTED


A cyclone, entering a room, is apt to alter the position of things.
This cyclone shifted a footstool, a small chair, a rug, and Spike.
The chair, struck by a massive boot, whirled against the wall. The
foot-stool rolled away. The rug crumpled up and slid. Spike, with a
yell, leaped to his feet, slipped again, fell, and finally
compromised on an all-fours position, in which attitude he remained,
blinking.

While these stirring acts were in progress, there was the sound of a
door opening upstairs, followed by a scuttering of feet and an
appalling increase in the canine contribution to the current noises.
The duet had now taken on quite a Wagnerian effect.

There raced into the room first a white bull-terrier, he of the
soprano voice, and--a bad second--his fellow artiste, the baritone,
a massive bull-dog, bearing a striking resemblance to the big man
with the big lower jaw whose entrance had started the cyclone.

And, then, in theatrical parlance, the entire company "held the
picture." Up-stage, with his hand still on the door, stood the man
with the jaw; downstage, Jimmy; center, Spike and the bull-dog,
their noses a couple of inches apart, inspected each other with
mutual disfavor. On the extreme O. P. side, the bull-terrier, who
had fallen foul of a wicker-work table, was crouching with extended
tongue and rolling eyes, waiting for the next move.