arm and whose sword was ten inches longer than his." Jonson's
reach may have made up for the lack of his sword; certainly his
prowess lost nothing in the telling. Obviously Jonson was brave,
combative, and not averse to talking of himself and his doings.

In 1592, Jonson returned from abroad penniless. Soon after he
married, almost as early and quite as imprudently as Shakespeare.
He told Drummond curtly that "his wife was a shrew, yet honest";
for some years he lived apart from her in the household of Lord
Albany. Yet two touching epitaphs among Jonson's "Epigrams," "On
my first daughter," and "On my first son," attest the warmth of the
poet's family affections. The daughter died in infancy, the son of
the plague; another son grew up to manhood little credit to his
father whom he survived. We know nothing beyond this of Jonson's
domestic life.

How soon Jonson drifted into what we now call grandly "the
theatrical profession" we do not know. In 1593, Marlowe made his
tragic exit from life, and Greene, Shakespeare's other rival on the
popular stage, had preceded Marlowe in an equally miserable death
the year before. Shakespeare already had the running to himself.
Jonson appears first in the employment of Philip Henslowe, the
exploiter of several troupes of players, manager, and father-in-law
of the famous actor, Edward Alleyn. From entries in "Henslowe's
Diary," a species of theatrical account book which has been handed
down to us, we know that Jonson was connected with the Admiral's
men; for he borrowed 4 pounds of Henslowe, July 28, 1597, paying
back 3s. 9d. on the same day on account of his "share" (in what is
not altogether clear); while later, on December 3, of the same
year, Henslowe advanced 20s. to him "upon a book which he showed