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From Ritual to Romance by Jessie Laidlay Weston
page 63 of 234 (26%)

In many parts of Europe to-day the corresponding ceremonies, very
generally held at Whitsuntide, include the mock execution of the
individual representing the Vegetation Spirit, frequently known as the
King of the May. In Bohemia the person playing the role of the King
is, with his attendants, dressed in bark, and decked with garlands
of flowers; at the conclusion of the ceremonies the King is allowed a
short start, and is then pursued by the armed attendants. If he is
not overtaken he holds office for a year, but if overtaken, he suffers
a mock decapitation, head-dress, or crown, being struck off, and the
pretended corpse is then borne on a bier to the next village.[8]

Mannhardt, discussing this point, remarks that in the mock execution we
must recognize "Ein verbreiteter und jedenfalls uralter Gebrauch." He
enumerates the various modes of death, shooting, stabbing (in the
latter case a bladder filled with blood, and concealed under the
clothes, is pierced); in Bohemia, decapitation, occasionally drowning
(which primarily represents a rain charm), is the form adopted.[9] He
then goes on to remark that this ceremonial death must have been
generally followed by resuscitation, as in Thuringia, where the 'Wild
Man,' as the central figure is there named, is brought to life again
by the Doctor, while the survival, in the more elaborate Spring
processions of this latter character, even where he plays no special
role, points to the fact that his part in the proceedings was
originally a more important one.

That Mannhardt was not mistaken is proved by the evidence of the
kindred Dances, a subject we shall consider later; there we shall find
the Doctor playing his old-time role, and restoring to life the slain
representative of the Vegetation Spirit.[10] The character of the
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