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Diary of Samuel Pepys — Volume 50: February 1666-67 by Samuel Pepys
page 17 of 45 (37%)
is alluded to in "Hudibras" (Part I., canto ii., line 1169). See
Rimbault's "Little Book of Songs and Ballads," 1851, p. 98. Both
versions of the famous ballad of "Chevy Chase" are printed in
Percy's "Reliques."]

was all the musique we had; and yet no ordinary fiddlers get so much money
as ours do here, which speaks our rudenesse still. That he hath gathered
our Italians from several Courts in Christendome, to come to make a
concert for the King, which he do give L200 a-year a-piece to: but badly
paid, and do come in the room of keeping four ridiculous gundilows,

[The gondolas mentioned before, as sent by the Doge of Venice. See
September 12th, 1661]

he having got, the King to put them away, and lay out money this way; and
indeed I do commend him for it, for I think it is a very noble
undertaking. He do intend to have some times of the year these operas to
be performed at the two present theatres, since he is defeated in what he
intended in Moorefields on purpose for it; and he tells me plainly that
the City audience was as good as the Court, but now they are most gone.
Baptista tells me that Giacomo Charissimi is still alive at Rome, who was
master to Vinnecotio, who is one of the Italians that the King hath here,
and the chief composer of them. My great wonder is, how this man do to
keep in memory so perfectly the musique of the whole act, both for the
voice and the instrument too. I confess I do admire it: but in recitativo
the sense much helps him, for there is but one proper way of discoursing
and giving the accents. Having done our discourse, we all took coaches,
my Lord's and T. Killigrew's, and to Mrs. Knipp's chamber, where this
Italian is to teach her to sing her part. And so we all thither, and
there she did sing an Italian song or two very fine, while he played the
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