Shakespeare's "Taming of the Shrew," to foist a 'Scotsman into the
action. Sawney was one of Lacy's favourite characters, and occupies
a prominent position in Michael Wright's picture at Hampton Court.
Evelyn, on October 3rd, 1662, "visited Mr. Wright, a Scotsman, who
had liv'd long at Rome, and was esteem'd a good painter," and he
singles out as his best picture, "Lacy, the famous Roscius, or
comedian, whom he has painted in three dresses, as a gallant, a
Presbyterian minister, and a Scotch Highlander in his plaid."
Langbaine and Aubrey both make the mistake of ascribing the third
figure to Teague in "The Committee;" and in spite of Evelyn's clear
statement, his editor in a note follows them in their blunder.
Planche has reproduced the picture in his "History of Costume"
(Vol. ii., p. 243).]

done by Lacy, hath not half its life, by reason of the words, I suppose,
not being understood, at least by me. After the play was done, as I come
so I went away alone, and had a mind to have taken out Knipp to have taken
the ayre with her, and to that end sent a porter in to her that she should
take a coach and come to me to the Piatza in Covent Garden, where I waited
for her, but was doubtful I might have done ill in doing it if we should
be visti ensemble, sed elle was gone out, and so I was eased of my care,
and therefore away to Westminster to the Swan, and there did baiser la
little missa . . . . and drank, and then by water to the Old Swan, and
there found Betty Michell sitting at the door, it being darkish. I staid
and talked a little with her, but no once baiser la, though she was to my
thinking at this time une de plus pretty mohers that ever I did voir in my
vida, and God forgive me my mind did run sobre elle all the vespre and
night and la day suivante. So home and to the office a little, and then
to Sir W. Batten's, where he tells me how he hath found his lady's jewels
again, which have been so long lost, and a servant imprisoned and