sense. From time to time Fields came in with one of his delightful
stories (sketches of character they were, which he sometimes did not mind
caricaturing), or with some criticism of the literary situation from his
stand-point of both lover and publisher of books. I heard fames that I
had accepted as proofs of power treated as factitious, and witnessed a
frankness concerning authorship, far and near, that I had not dreamed of
authors using. When Doctor Holmes understood that I wrote for the
'Saturday Press', which was running amuck among some Bostonian
immortalities of the day, he seemed willing that I should know they were
not thought so very undying in Boston, and that I should not take the
notion of a Mutual Admiration Society too seriously, or accept the New
York Bohemian view of Boston as true. For the most part the talk did not
address itself to me, but became an exchange of thoughts and fancies
between himself and Lowell. They touched, I remember, on certain matters
of technique, and the doctor confessed that he had a prejudice against
some words that he could not overcome; for instance, he said, nothing
could induce him to use 'neath for beneath, no exigency of versification
or stress of rhyme. Lowell contended that he would use any word that
carried his meaning; and I think he did this to the hurt of some of his
earlier things. He was then probably in the revolt against too much
literature in literature, which every one is destined sooner or later to
share; there was a certain roughness, very like crudeness, which he
indulged before his thought and phrase mellowed to one music in his later
work. I tacitly agreed rather with the doctor, though I did not swerve
from my allegiance to Lowell, and if I had spoken I should have sided
with him: I would have given that or any other proof of my devotion.
Fields casually mentioned that he thought "The Dandelion" was the most
popularly liked of Lowell's briefer poems, and I made haste to say that I
thought so too, though I did not really think anything about it; and then
I was sorry, for I could see that the poet did not like it, quite; and I