Touch and Go by D. H. (David Herbert) Lawrence
page 26 of 122 (21%)
page 26 of 122 (21%)
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WINIFRED. The colliers work awfully hard. The pits are quite
wonderful now. Father says it's against nature--all this electricity and so on. Gerald adores electricity. Isn't it curious? ANABEL. Very. How are you getting on? WINIFRED. I don't know. It's so hard to make things BALANCE as if they were alive. Where IS the balance in a thing that's alive? ANABEL. The poise? Yes, Winifred--to me, all the secret of life is in that--just the--the inexpressible poise of a living thing, that makes it so different from a dead thing. To me it's the soul, you know--all living things have it--flowers, trees as well. It makes life always marvellous. WINIFRED. Ah, yes!--ah, yes! If only I could put it in my model. ANABEL. I think you will. You are a sculptor, Winifred.--Isn't there someone there? WINIFRED (running to the door). Oh, Oliver! OLIVER. Hello, Winnie! Can I come in? This is your sanctum: you can keep us out if you like. WINIFRED. Oh, no. Do you know Miss Wrath, Oliver? She's a famous sculptress. OLIVER. Is she? We have met.--Is Winifred going to make a sculptress, do you think? |
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