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A Portrait of the Artist as a Young Man by James Joyce
page 12 of 332 (03%)

The cold slime of the ditch covered his whole body; and, when the bell
rang for study and the lines filed out of the playrooms, he felt the
cold air of the corridor and staircase inside his clothes. He still
tried to think what was the right answer. Was it right to kiss his
mother or wrong to kiss his mother? What did that mean, to kiss? You
put your face up like that to say good night and then his mother put
her face down. That was to kiss. His mother put her lips on his cheek;
her lips were soft and they wetted his cheek; and they made a tiny
little noise: kiss. Why did people do that with their two faces?

Sitting in the study hall he opened the lid of his desk and changed the
number pasted up inside from seventy-seven to seventy-six. But the
Christmas vacation was very far away: but one time it would come
because the earth moved round always.

There was a picture of the earth on the first page of his geography: a
big ball in the middle of clouds. Fleming had a box of crayons and one
night during free study he had coloured the earth green and the clouds
maroon. That was like the two brushes in Dante's press, the brush with
the green velvet back for Parnell and the brush with the maroon velvet
back for Michael Davitt. But he had not told Fleming to colour them
those colours. Fleming had done it himself.

He opened the geography to study the lesson; but he could not learn the
names of places in America. Still they were all different places that
had different names. They were all in different countries and the
countries were in continents and the continents were in the world and
the world was in the universe.

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