A Portrait of the Artist as a Young Man by James Joyce
page 12 of 332 (03%)
page 12 of 332 (03%)
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The cold slime of the ditch covered his whole body; and, when the bell rang for study and the lines filed out of the playrooms, he felt the cold air of the corridor and staircase inside his clothes. He still tried to think what was the right answer. Was it right to kiss his mother or wrong to kiss his mother? What did that mean, to kiss? You put your face up like that to say good night and then his mother put her face down. That was to kiss. His mother put her lips on his cheek; her lips were soft and they wetted his cheek; and they made a tiny little noise: kiss. Why did people do that with their two faces? Sitting in the study hall he opened the lid of his desk and changed the number pasted up inside from seventy-seven to seventy-six. But the Christmas vacation was very far away: but one time it would come because the earth moved round always. There was a picture of the earth on the first page of his geography: a big ball in the middle of clouds. Fleming had a box of crayons and one night during free study he had coloured the earth green and the clouds maroon. That was like the two brushes in Dante's press, the brush with the green velvet back for Parnell and the brush with the maroon velvet back for Michael Davitt. But he had not told Fleming to colour them those colours. Fleming had done it himself. He opened the geography to study the lesson; but he could not learn the names of places in America. Still they were all different places that had different names. They were all in different countries and the countries were in continents and the continents were in the world and the world was in the universe. |
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