A Portrait of the Artist as a Young Man by James Joyce
page 80 of 332 (24%)
page 80 of 332 (24%)
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them by shuffling along for a yard or so comically in an old pair of
blue canvas shoes. A small ring of wonderstruck children and nursemaids would gather to watch him and linger even when he and uncle Charles had sat down again and were talking athletics and politics. Though he had heard his father say that Mike Flynn had put some of the best runners of modern times through his hands Stephen often glanced at his trainer's flabby stubble-covered face, as it bent over the long stained fingers through which he rolled his cigarette, and with pity at the mild lustreless blue eyes which would look up suddenly from the task and gaze vaguely into the blue distance while the long swollen fingers ceased their rolling and grains and fibres of tobacco fell back into the pouch. On the way home uncle Charles would often pay a visit to the chapel and, as the font was above Stephen's reach, the old man would dip his hand and then sprinkle the water briskly about Stephen's clothes and on the floor of the porch. While he prayed he knelt on his red handkerchief and read above his breath from a thumb blackened prayer book wherein catchwords were printed at the foot of every page. Stephen knelt at his side respecting, though he did not share, his piety. He often wondered what his grand-uncle prayed for so seriously. Perhaps he prayed for the souls in purgatory or for the grace of a happy death or perhaps he prayed that God might send him back a part of the big fortune he had squandered in Cork. On Sundays Stephen with his father and his grand-uncle took their constitutional. The old man was a nimble walker in spite of his corns and often ten or twelve miles of the road were covered. The little village of Stillorgan was the parting of the ways. Either they went to the left towards the Dublin mountains or along the Goatstown road and |
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